Posts Tagged ‘Jim Peters’

SAH in Chicago!

April 19, 2010

Well, it is finally here after years of planning. The Society of Architectural Historians, an international organization promoting the study of the built environment, is having its 63rd Annual Meeting in Chicago this week. I have the honor of being Local Chair and I am excited to welcome so many friends and colleagues to a city whose architecture has always been central to its identity.

Over 500 architectural historians from everywhere will be here, and many are taking tours of every kind of local landmark from the Gold Coast to the Farnsworth House; from Oak Park to Hyde Park; from the Reliance and Rookery and Marquette and Monadbock Buildings of the Loop to the grand mansions of the North Shore. I have Terry Tatum to thank for coordinating a dizzing array of tours led by local experts, and Sally Kalmbach for coordinating a medium-sized army of volunteers manning all of the scholarly paper sessions on Thursday through Saturday, as well as tours and special events. THANK YOU!

We kick it off with two all-day symposia on Wednesday – one on Historic Preservation, coordinated by Jim Peters of Landmarks Illinois and featuring the challenging topic of preserving public housing, including discussion of our efforts to create a public housing museum in Chicago. The other symposia focuses on landscape architecture and the direction of scholarship in this growing field. Wednesday evening one of my mentors, Robert Bruegmann, opens the conference with “Chicago: First City of American Architecture” although I can almost guarantee the talk itself will dissect that title.

The sessions proper kick off on Thursday with topics ranging from sustainabilities and superblocks to ancient Rome and Gothic in Latin America. Thursday evening we have the awards ceremony and a presentation by Alice Friedman, and Friday and Saturday morning we have more sessions, following by a day and a half of tours. Saturday night we are having a large benefit in the Gold Coast and the whole affair promises to be a whirlwind, especially for us locals pulled in a hundred directions. I presented a paper on Barry Byrne at the SAH Conference in Richmond, Virginia in 2002 and absolutely loved the event – took a fantastic tour of modernism and the recent past, saw the Jeffersonian rigour of the state capitol and the Victorian industry of Shockoe Slip, so this is a great honor to be welcoming the same scholarly crowd to the city I have never left.

APRIL 21 UPDATE:

Opening Day at SAH went well – saw my dear friends, session chairs from the panel I was on in ’02- Victoria Young and Christine Madrid French. Jim Peters set up a FANTASTIC Historic Preservation colloquium with three excellent speakers on the preservation of public housing. Elizabeth Milnarik gave a nicely illustrated, reasonably detailed history of public housing in America and Europe. Europe, never uncomfortable with the concept of a public realm, leapt into public housing after World War I, whereas America was still in the “philanthropy plus 5 percent” mode whereby a few wealthy individuals like Julius Rosenwald and Marshall Field created affordable housing via a limited profit private market.

Even in the great government era of the New Deal, Harold Ickes did not propose government built housing right away but eventually it happened – a series of low-rise projects that in many ways thrived for much longer than the 1950s-1960s segregated highrises we all remember. Mike Jackson spoke about preservation of public housing, including an award-winning 2006 project in Danville, IL that used the preservation tax credits AND secured LEED Gold status. He also noted – check this out – that ONE-QUARTER of the preservation tax credit projects in Illinois involve affordable housing. TAKE THAT, all you “either-or” folks. Finally, Sunny Fischer led her discussion of the National Public Housing Museum she has been spearheading with moving tales of her own – largely positive – experiences growing up in public housing in New York. She said the message she received as a child was simple: “my city, my government wanted us to make it.”

The public housing museum has an exhibit in the Merchandise Mart you can see right now. The Colloquium was followed by a tour of several sites, including the museum’s future home on Taylor Street in a one of the Jane Addams Homes built by the fed 70 years ago; the still-to-be-redeveloped and hopefully preserved Lathrop Homes, and several other sites.

The evening featured a very entertaining business meeting and powerpoint on SAH achievements by President Dietrich Neumann, and of course Bob Bruegmann, who asked whether Chicago was the first city of architecture and detailed a great variety of publications about Chicago architecture over the last century, giving us a nuanced picture of Chicago’s dominant narrative; its counter-narratives, and even its ongoing practice, that like all “Facts” serves narratives, counternarratives, ideologues and iconoclasts equally. Then he left it for us to decide whether Chicago really was the first city of architecture, but in a sense it was clear from the list that this is a city that tells itself stories about its architecture and has done so for at least four generations, embedding the concept of architectural distinction in its civic character. Whether Chicago is the first city of architecture may not be determinable, but it is a certainty that the first thing Chicago does is tell the world and itself about its architecture, and these narratives counter or canonical, have brought architects here to practice from all over the world for over a century. And this week they bring over 500 architectural historians.

September 25 UPDATE

And now it is finally over. Other highlights from SAH: Thursday night’s plenary speech by Alice Friedman at the Murphy Auditorium, which deftly combined the evolution of the discipline with her own pathbreaking investigations into the gendered nature of architecture and remained a rousing paean within and without that most deserving critique. I got to see far fewer paper sessions than I wanted, but each left me wanting more: I loved the discussion following “Counter-Histories of Sustainability” on Thursday, which revisited the 1960s and 1970s attempts at systems-based architecture, but goshdarnit aesthetics always creeps in. It seems every attempt at modernity and the discarding of traditional aesthetics ends up becoming aesthetic – or does it? It did strike me that the 1970s anti-aesthetic architectural ecologists were at least concerned with process and results: something the product-based LEED system may never get too. It was also fitting that the discussion was taking place more or less on the 40th anniversary of Earth Day.

Saturday I was focused on getting the tours up and out, with some glitches but the weather could have been worse. Saturday night was the SAH benefit, honoring the Chicago 7 – those 1970s rebels who upturned the Modernist Miesian apple cart – and Chicago Women in Architecture. It was a fantastic event in the Merchandise Mart, and I got to chat with many great Chicago architectural and preservation people, including the incomparable John Bryan, who so graciously endowed the Chair I hold, Gunny Harboe, Jim Peters and David Bahlman, who made the trip from his new digs in Connecticut. Geoffrey Baer of Channel 11 was the MC and gave me a very kind shout-out during the proceedings. We shuttled some more tours off this morning and I met one of them to tour the River Forest Women’s Club this afternoon, that stellar story of a 10 Most Endangered (2005) building that within three years became the Preservation Project of the Year (2008) thanks to Paul and Ellen Coffey. They met all of the preservation standards in spades, and made it more environmentally friendly as well, putting in a geothermal system and cutting its heating costs by four-fifths. Preservation is Sustainability. And it often looks pretty darn good.

August

August 3, 2008

August already in Chicago, normally time for some landmarks shenanigans by the powers that be. At least, that used to be the tradition in the 1980s – announce a big historic-building-damaging project in August when the goo-goos were off in Saugatuck or Door County and couldn’t mount public opposition. That may be less true in the Internet age, because you can get the internet next to the pool in Rowley’s Bay. We shall see if down time dog days produce anything this year, but in the meantime I need to catch up on landmarks news in Illinois…

The big news at Landmarks Illinois is the selection of Jim Peters as the new President of Landmarks Illinois. Peters brings excellent credentials, being an award-winning faculty member of our SAIC Master’s program in historic preservation for seven years, a former Director of the Commission on Chicago Landmarks, and a certified planner with a preservation degree. Jim also knows everyone and knows how to get things done, which is the LI way. I can proudly say I was on the Search Committee that unanimously chose Jim.

Budget cuts everywhere. The DysState of Illinois has halved its staff budget at the Illinois Historic Preservation Agency which has cut the hours at historic sites and has already suffered a decade of budget cuts. Hello? What is the state’s biggest industry? Tourism, you say? Well, then, let’s shut down all of the tourist sites! These state pols couldn’t find out which side their bread buns were buttered on with both hands and a flashlight.

At the National Trust budget tightening is striking as well, thanks to the faltered economy, although not nearly as draconian as Illinois. Usually a down economy means an uptick in my industry (one of the nation’s few with a positive trade balance) education, although we will have to wait until the fall class shows up to prove that one.

Jerry Mickleson of Jam Productions bought the Uptown Theater, which has been shuttered since the early 80s and despite landmark status in ’91 has continued to fall to bits because it is a massive theater with no parking in an endearingly sketchy neighborhood. Jam was the last one to use it, booking rock acts, a couple of which I saw in college, and they probably have a better sense of how to make it work than those who love the theater more.

That is one of the great conundrums at the heart of historic preservation. We save buildings because we fall in love with them, and we fall in love with them because we see them so much or learn so much about them and the more we take in each historical and artistic detail the more we want to preserve – on a pedestal – the object of our affection. But like all love objects, historic buildings should not be put on a pedestal and that is why so few can become museums. Pygmalion is an enduring human fiction.

In this regard I was chatting (electronically) with Mark Harmon, Site Director at the Gaylord Building in Lockport, about the future of that National Trust property (where I chair the Site Council). The building decided decisively NOT to be just a museum when it opened in 1987 and again 15 years later. Half of it has always been a restaurant, a paying tenant. The other half is interpretive (or interpretative if you like an extra syllable) with various galleries and visitors centers occupying its three floors over time. Half museum, so to speak, and our strategic plan a few years back basically came to the conclusion that we have to make our museum-side more commercial (we would love to have a 19th century general store there) and the restaurant side more interpretive, to better integrate the identity of the National Trust’s first adaptive re-use property. This is the goal we are working toward, as Mark sagely noted and I responded that the greatest innovation we could offer the preservation world would be leases for commercial tenants that hold them to certain interpretive goals.

It is a fine balancing act between the refined tastes of the artist and the base urges of commerce, between Pygmalion and the blow up doll. That balance is an art and it is the reality of life – as opposed to the artificiality of the pedestal and the love that smothers.


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